Hollywood is perhaps the most elusive animal. "We Want the Airwaves" follows three first time TV makers who set out on the ultimate adventure: to change television as we know it. The trio creates, films and pitches their advocacy docuseries masterpiece, "Manifesto!" all over the world, with the goal of giving a broadcast voice to a generation.

Arabella has her eye on Fred which means it's not easy. So when she (and Fred) attend the Tall Man's party, she is self conscious. Afterwards, to make herself feel better, she invites Eve round for her version of a party. And of course it's easy around Eve. So with a wave of self assuredness, she invites Fred round. But again she is self-conscious around him. So Arabella strategizes. Arabella who wants to be mad. Where madness isn't loony or kooky, it's the freedom to be.

Just eight days after the 2011 Great East Japan Earthquake, an NHK program began recording the messages of survivors. The program continues to this day, offering people a place to express their hopes and fears. We follow up with the survivors we've met over the years, and hear from people who were directly involved with the government's reconstruction policies. We examine what "reconstruction" means now, 12 years after the disaster.

When her older sister elopes with a non-royal, Princess Bea who has lived her life away from her royal duties must now step in and honor the arranged marriage to a small kingdom prince.

Amanda and Jake are in love and want to start a new life in Los Angeles. Will they make the right decisions? The first 24 hours of their new life take them all around the city, bringing them more surprises and frustrations than expected.

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women

Núa burns through her last drops of gasoline to get to a sanctuary at the end of the road where powerhouses, musicians and mystics have gathered for a letting go ritual.

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women

Showcases London and Kelly giving style makeovers, but with an approach focused on celebrating individual style rather than prescribing societal norms.

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